King David’s Heart

I would like to share part of an article that was shared with me. It speaks about the individual song that is formed within the heart of each individual and finds unique expression through that one. So many times we think that our lives are wasted exercises, yet if we can gain the correct perspective, we can see these experiences as the orchestral parts to be played in our personsl symphony. Each one is different and each one is sublime.  Read and meditate!
Steve
King David’s Heart

King David’s Heart

Life’s difficult challenges aren’t interruptions. They’re what we need to compose our unique song.

……Through it all he remained our hero, fought and won many battles on behalf of Israel and had his son Solomon build the Temple of Jerusalem. But the depth and heart of David remains most revealed in his poetry-turned-prayers called Psalms.

In the Psalms, King David moves me because of the intensity of his experience of life, because of his honesty, candidness, rawness and courage to expose his frailties and fears. Because of his humility and yearning to be closer to His maker in the light and in the dark times. He was not embarrassed to be him. He was not shy about his feelings. He exposed himself and then gave it all back to God. Nothing he felt or experienced was wasted. All was used to connect back. All was sanctified through his actions.

I also love that he was a singer. It is written that the highest gate of prophecy is through song, sung with pure intentions.

Each one of us has a unique song that lies deep in our soul. It is the most pure type of music that stems from who we truly are, in all of our splendor and beauty, the one that reveals us completely, imperfections and all.

When we have a difficult challenge in life and experience some suffering, some of us view it as an interruption to life, a blip. But those troubles aren’t distractions – they’re precisely what create us. The pains and the uncomfortable parts of our story help craft our unique personality and character. The moments of distress create the peaks, dips and special viewpoints we have; they create the flats, the sharps and the octaves of our song. Every experience of anguish

is a note that we weave together to make a song that no one else can sing. And when we sing that song back to God through prayer, just as King David did, we fulfill the spiritual purpose for the suffering we were given.

This was part of King David’s greatness and the lesson he teaches to every one of us.

Suffering, pain and turmoil are not intermission times in our lives; they create our intricacies, depletions, accents and twists for a reason. When we are honest with our pain and lacks, and allow ourselves to laugh or cry or scream as a vehicle to come closer to our Maker, that’s part of our chorus. That’s part of our song that no one can sing but us. We can transform the darkness into sparks of light. When we turn pain into a vehicle for connection with the Almighty, we invest meaning into the suffering and make it holy. God doesn’t do that; that choice is in our domain.

King David became King David not despite his difficult life, but because of it. Can you imagine if he had a normal, steady and balanced life full of everything he wanted and no struggles? He would not have become King David. We would not have written the psalms to open up the Heavenly gates. He would not have become the spiritual hero that we aspire to be.

The world is our classroom. We face the tests that are given to us, to overcome a weakness and write new stanzas to our life’s song. And we can rely on God for His help and guidance. My kids recently lost their father. At the shiva I continuously heard from friends who lost parents at an early age that a hole remained with them for life. But they also gained a special connection to God that none of their friends seemingly felt. A double dose of God’s help and closeness in place of that parent, just as King David writes in his Psalms.

Would my kids have chosen that combination if asked? I don’t think so. But who chooses anything? When we stop fighting against why we have a certain life circumstance and accept the Divine plan, embracing what we do have and are here to do. That’s when we can finally make use of all the beautiful, awkward-like and seemingly off key notes we possess to compose the special song only our soul can sing.

Easier said than done. Trust me, I know. But time is so precious, and so are you.

Published: May 31, 2014  From http://www.aish.com

Explaining the Six Solfeggio Frequencies

I have been asked frequently about the other 5 frequencies that accompany the 528 Hz frequency in the total Solfeggio Frequency array. Just last week I was asked by one of my listeners in a comment they made so I promised them I would write a post on that subject to explain in more detail how things come together.

There are six frequencies that have been designated by many as the Solfeggio Frequencies. They are as follows: 396 Hz – 417 Hz – 528 Hz – 639 Hz – 741 Hz – 852 Hz   I will take each one separately to explain in more detail how to work with each one.

Each frequency is the “anchoring” frequency around which a harmonic scale is built. All of the harmonic scales that accompany these frequencies are corresponding to tuning your instrument to the A = 444 Hz rather than the 440 Hz. You cannot play any music that we would appreciate by just playing the six Solfeggio Frequency together – it would not sound harmonious. You could play something, but it would be very discordant – at least in my opinion.

So lets look at the 396 Hz frequency first. The harmonic scale around which you play in this frequency would be tuned as follows: A – Bb – C – D – Eb – F – G   This gives you the key of B flat. Your major chords would be Bb – F – and Eb and your minor chords would be C minor – D minor – and G minor. If you were to play the 396 Hz frequency as a droning note throughout a piece you were playing with this key, the note would always be in harmony with whatever chords you were playing.

Next comes the 417 Hz frequency. The harmonic scale would be tuned as follows: A# – B – C# – D# – E – F# – G#  which would place you in the key of B natural which would give you the major chords of B – E – and F# and the minor chords would be C# minor – D# minor – and G# minor. Once again, the 417 Hz frequency droned would harmonize with all the music played in this key.

The next frequency is the main healing frequency in which I record most of my music. It is the 528 Hz frequency and it is tuned in to the F major key which is tuned as follows: A – Bb – C – D – E – F – G    An interesting aspect about this frequency is that you can also tune in the Bb to a B natural giving you the C major key and I find that some of the Psalms sound better in C major and some sound better in F major. In F major, you have the major chords of F – Bb – and C  and the minor chords of G minor – A minor – and D minor. In the key of C major you have the major chords of C – F – and G and the minor chords of D minor – E minor – and A minor.

The frequency of 639 Hz brings us back to the key of B natural  with the tuning of : A# – B – C# – D# – E – F# – G#  The chords are also the same as we noted above.

The 741 Hz frequency gives us a new key for the harmonic scale. It is the key of A natural. It is tuned as follows: A – B – C# – D – E – F# – G#  and it has the major chords of A – E – and D and the minor chords of B minor – C minor – and F minor.

The final frequency of 852 Hz brings us back to the harmonic scale tuned as follows: A# – b – C# – D# – E – F# – G#    which brings us back to the key of B natural with the same chords once again as noted above.

I have recorded a CD titled Tabernacle Prayer which has music recorded in each of these frequencies. I recommend that you purchase the book that is suggested to be included with the CD so that you can read for more understanding about where these frequencies come from and how I believe they were designed to impact our lives. Tabernacle CD and Book 

I hope this explanation has shead a little more light on how these frequencies are harmonized with the harmonic scales and chord keys so that you can begin to play with some music of your own creation and experiment with finding how the various frequencies can effect your lives and the lives of others.

Thank you for your continued interest and support – Steve

 

Effects of Music on Society

Music and the Brain

 Laurence O’Donnell

“Music is so naturally united with us that we cannot be free from it even if we so desired” (Boethius cited by Storr).


Music’s interconnection with society can be seen throughout history. Every known culture on the earth has music. Music seems to be one of the basic actions of humans. However, early music was not handed down from generation to generation or recorded. Hence, there is no official record of “prehistoric” music. Even so, there is evidence of prehistoric music from the findings of flutes carved from bones.

The influence of music on society can be clearly seen from modern history. Music helped Thomas Jefferson write the Declaration of Independence. When he could not figure out the right wording for a certain part, he would play his violin to help him. The music helped him get the words from his brain onto the paper.

Albert Einstein is recognized as one of the smartest men who has ever lived. A little known fact about Einstein is that when he was young he did extremely poor in school. His grade school teachers told his parents to take him out of school because he was “too stupid to learn” and it would be a waste of resources for the school to invest time and energy in his education. The school suggested that his parents get Albert an easy, manual labor job as soon as they could. His mother did not think that Albert was “stupid”. Instead of following the school’s advice, Albert’s parents bought him a violin. Albert became good at the violin. Music was the key that helped Albert Einstein become one of the smartest men who has ever lived. Einstein himself says that the reason he was so smart is because he played the violin. He loved the music of Mozart and Bach the most. A friend of Einstein, G.J. Withrow, said that the way Einstein figured out his problems and equations was by improvising on the violin.

Bodily Responses to Music

In general, responses to music are able to be observed. It has been proven that music influences humans both in good and bad ways. These effects are instant and long lasting. Music is thought to link all of the emotional, spiritual, and physical elements of the universe. Music can also be used to change a person’s mood, and has been found to cause like physical responses in many people simultaneously. Music also has the ability to strengthen or weaken emotions from a particular event such as a funeral.

People perceive and respond to music in different ways. The level of musicianship of the performer and the listener as well as the manner in which a piece is performed affects the “experience” of music. An experienced and accomplished musician might hear and feel a piece of music in a totally different way than a non-musician or beginner. This is why two accounts of the same piece of music can contradict themselves.

Rhythm is also an important aspect of music to study when looking at responses to music. There are two responses to rhythm. These responses are hard to separate because they are related, and one of these responses cannot exist without the other. These responses are (1) the actual hearing of the rhythm and (2) the physical response to the rhythm. Rhythm organizes physical movements and is very much related to the human body. For example, the body contains rhythms in the heartbeat, while walking, during breathing, etc. Another example of how rhythm orders movement is an autistic boy who could not tie his shoes. He learned how on the second try when the task of tying his shoes was put to a song. The rhythm helped organize his physical movements in time.

It cannot be proven that two people can feel the exact same thing from hearing a piece of music. For example, early missionaries to Africa thought that the nationals had bad rhythm. The missionaries said that when the nationals played on their drums it sounded like they were not beating in time. However, it was later discovered that the nationals were beating out complex polyrhythmic beats such as 2 against 3, 3 against 4, and 2 against 3 and 5, etc. These beats were too advanced for the missionaries to follow.

Responses to music are easy to be detected in the human body. Classical music from the baroque period causes the heart beat and pulse rate to relax to the beat of the music. As the body becomes relaxed and alert, the mind is able to concentrate more easily. Furthermore, baroque music decreases blood pressure and enhances the ability to learn. Music affects the amplitude and frequency of brain waves, which can be measured by an electro-encephalogram. Music also affects breathing rate and electrical resistance of the skin. It has been observed to cause the pupils to dilate, increase blood pressure, and increase the heart rate.

The Power of Music on Memory and Learning

The power of music to affect memory is quite intriguing. Mozart’s music and baroque music, with a 60 beats per minute beat pattern, activate the left and right brain. The simultaneous left and right brain action maximizes learning and retention of information. The information being studied activates the left brain while the music activates the right brain. Also, activities which engage both sides of the brain at the same time, such as playing an instrument or singing, causes the brain to be more capable of processing information.

According to The Center for New Discoveries in Learning, learning potential can be increased a minimum of five times by using this 60 beats per minute music. For example, the ancient Greeks sang their dramas because they understood how music could help them remember more easily ). A renowned Bulgarian psychologist, Dr. George Lozanov, designed a way to teach foreign languages in a fraction of the normal learning time. Using his system, students could learn up to one half of the vocabulary and phrases for the whole school term (which amounts to almost 1,000 words or phrases) in one day. Along with this, the average retention rate of his students was 92%. Dr. Lozanov’s system involved using certain classical music pieces from the baroque period which have around a 60 beats per minute pattern. He has proven that foreign languages can be learned with 85-100% efficiency in only thirty days by using these baroque pieces. His students had a recall accuracy rate of almost 100% even after not reviewing the material for four years.


Johann Sebastian Bach

Georg Frederic Handel

Wolfgang Amadeus Mozart

In 1982, researchers from the University of North Texas performed a three-way test on postgraduate students to see if music could help in memorizing vocabulary words. The students were divided into three groups. Each group was given three tests – a pretest, a posttest, and a test a week after the first two tests. All of the tests were identical. Group 1 was read the words with Handel’s Water Music in the background. They were also asked to imagine the words. Group 2 was read the same words also with Handel’s Water Music in the background. Group 2 was not asked to imagine the words. Group 3 was only read the words, was not given any background music, and was also not asked to imagine the words. The results from the first two tests showed that groups 1 and 2 had much better scores than group 3. The results from the third test, a week later, showed that group 1 performed much better than groups 2 or 3. However, simply using music while learning does not absolutely guarantee recall but can possibly improve it. Background music in itself is not a part of the learning process, but it does enter into memory along with the information learned. Recall is better when the same music used for learning is used during recall. Also, tempo appears to be a key of music’s effect on memory.

Play Handel’s Water Music (Morning Has Broken)

One simple way students can improve test scores is by listening to certain types of music such as Mozart’s Sonata for Two Piano’s in D Major before taking a test. This type of music releases neurons in the brain which help the body to relax. The effectiveness of Mozart’s sonatas can be seen by the results from an IQ test performed on three groups of college students. The first group listened to a Mozart sonata before taking the test. The second group listened to a relaxation tape before their test. The third group did not listen to anything before the test. The first group had the highest score with an average of 119. The second group ended up with an average of 111, and the third group had the lowest score with an average of 110.

William Balach, Kelly Bowman, and Lauri Mohler, all from Pennsylvania State University, studied the effects of music genre and tempo on memory retention. They had four groups learn vocabulary words using one of four instrumental pieces – slow classical, slow jazz, fast classical, and fast jazz. Each of the four groups was divided into smaller groups for the recall test. These sub groups used either the same (i.e. slow classical, slow classical) or different (i.e. slow jazz, fast classical) pieces when taking the recall test. The results did show a dependency on the music. Recall was better when the music was the same during learning and testing. These same researchers did another test which restricted the changes in the music to just tempo (i.e. slow to fast jazz) or just genre (i.e. slow jazz to slow classical). Surprisingly, the results showed that changing the genre had no effect on recall but changing the tempo decreased recall.

Healthy and Not So Healthy Effects

Many revealing scientific experiments, studies, and research projects have been performed to try and discover the extent of the power of music. Up until 1970, most of the research done on music had to do with studying the effects of the beat of the music. It was found that slow music could slow the heartbeat and the breathing rate as well as bring down blood pressure. Faster music was found to speed up these same body measurements.

The key component of music that makes it beneficial is order. The order of the music from the baroque and classical periods causes the brain to respond in special ways. This order includes repetition and changes, certain patterns of rhythm, and pitch and mood contrasts. One key ingredient to the order of music from the baroque and classical periods is math. This is realized by the body and the human mind performs better when listening to this ordered music.

One shining example of the power of order in music is King George I of England. King George had problems with memory loss and stress management. He read from the Bible the story of King Saul and recognized that Saul had experienced the same type of problems that he was experiencing. George recognized that Saul overcame his problems by using special music. With this story in mind King George asked George Frederick Handel to write some special music for him that would help him in the same way that music helped Saul. Handel wrote his Water Music for this purpose.

Another key to the order in music is the music being the same and different. The brain works by looking at different pieces of information and deciding if they are different or the same. This is done in music of the baroque and classical periods by playing a theme and then repeating or changing the theme. The repetition is only done once. More than one repetition causes the music to become displeasing, and also causes a person to either enter a state of sub-conscious thinking or a state of anger. Dr. Ballam goes on to say that, “The human mind shuts down after three or four repetitions of a rhythm, or a melody, or a harmonic progression.” Furthermore, excessive repetition causes people to release control of their thoughts. Rhythmic repetition is used by people who are trying to push certain ethics in their music.

An Australian physician and psychiatrist, Dr. John Diamond, found a direct link between muscle strength/weakness and music. He discovered that all of the muscles in the entire body go weak when subjected to the “stopped anapestic beat” of music from hard rock musicians, including Led Zeppelin, Alice Cooper, Queen, The Doors, Janis Joplin, Bachman – Turner Overdrive, and The Band. Dr. Diamond found another effect of the anapestic beat. He called it a “switching” of the brain. Dr. Diamond said this switching occurs when the actual symmetry between both of the cerebral hemispheres is destroyed causing alarm in the body along with lessened work performance, learning and behavior problems in children, and a “general malaise in adults.” In addition to harmful, irregular beats in rock music, shrill frequencies prove to also be harmful to the body. Bob Larson, a Christian minister and former rock musician, remembers that in the 70’s teens would bring raw eggs to a rock concert and put them on the front of the stage. The eggs would be hard boiled by the music before the end of the concert and could be eaten. Dr. Earl W. Flosdorf and Dr. Leslie A. Chambers showed that proteins in a liquid medium were coagulated when subjected to piercing high-pitched sounds

On Animals and Plants, Too!

Tests on the effects of music on living organisms besides humans have shown that special pieces of music (including The Blue Danube) aid hens in laying more eggs. Music can also help cows to yield more milk. Researchers from Canada and the former Soviet Union found that wheat will grow faster when exposed to special ultrasonic and musical sounds. Rats were tested by psychologists to see how they would react to Bach’s music and rock music. The rats were placed into two different boxes. Rock music was played in one of the boxes while Bach’s music was played in the other box. The rats could choose to switch boxes through a tunnel that connected both boxes. Almost all of the rats chose to go into the box with the Bach music even after the type of music was switched from one box to the other.

Play Bach’s Air on The G String
Play Strauss’ The Blue Danube

Research took a new avenue when in 1968 a college student, Dorthy Retallack, started researching the effects of music on plants. She took her focus off of studying the beat and put in on studying the different sounds of music. Retallack tested the effects of music on plant growth by using music styles including classical, jazz, pop, rock, acid rock, East Indian, and country. She found that the plants grew well for almost every type of music except rock and acid rock. Jazz, classical, and Ravi Shankar turned out to be the most helpful to the plants. However, the plants tested with the rock music withered and died. The acid rock music also had negative effects on the plant growth.

Conclusions

One cannot deny the power of music. High school students who study music have higher grade point averages that those who don’t. These students also develop faster physically. Student listening skills are also improved through music education. The top three schools in America all place a great emphasis on music and the arts. Hungary, Japan, and the Netherlands, the top three academic countries in the world, all place a great emphasis on music education and participation in music. The top engineers from Silicon Valley are all musicians. Napoleon understood the enormous power of music. He summed it up by saying, “Give me control over he who shapes the music of a nation, and I care not who makes the laws” .

To Know More

  • Ballam, Michael. Music and the Mind (Documentation Related to Message). pp 1-8.
  • Jourdain, Robert. Music, the Brain and Ecstasy. New York: William Morrow and Company, Inc.,1997.
  • Lundin, Robert W. An Objective Psychology of Music. Malabar: Robert E. Krieger Publishing Company, 1985.
  • Neverman. “The Affects of Music on the Mind.” 3 pp. On-line. Internet. 20 December 1999. Available WWW:http://www.powell.k12.ky.us/pchs/ publications/Affects_of_Music.html.
  • Scarantino, Barbara Anne. Music Power Creative Living Through the Joys of Music. New York: Dodd, Mead & Company, 1987.
  • Storr, Anthony. Music and the Mind. New York: The Free Press, 1992.
  • Weinberger, N.M. “Threads of Music in the Tapestry of Memory.” MuSICA Research Notes 4.1 (Spring 1997): 3pp. On-line. Internet. 13 November 1999. Available WWW: http://musica.ps.uci.edu/mrn/V4I1S97.html#threads.

The Author

Laurence O’Donnell III is a musicist (he plays the bassoon) from Perth, Scotland. He has created a site named Music Power. This paper was produced as a result of his senior paper. Email: laurence@characterlink.net

Light Therapy

On our recent trip to Australia, we were invited by a friend to join in a presentation on monochromatic light therapy. Karl from Sweden was very knowledgeable and gave a very convincing lecture on the science behind the treatment and various studies supporting the effectiveness of the therapy. He also had some equipment along and gave us the opportunity to experience the treatment. It was a very “enlightening” experience! All who participated were quite enthusiastic with the results.

I want to give you the website so you can do your own investigation. The link is:

www.monocrom.se

If you go to the literature tab and then click on “articles” you will find a host of research references and scientific papers listed.

I am including this information because I believe that light and sound are closely related in their beneficial physiological effects. Each sound frequency has a corresponding light frequency. I further believe that if you combine light therapys with the appropriate sound frequency there will be an increased physiological benefit.

More and more research is being conducted with more discoveries published every day. This is an exciting time to be alive! Feel free to share any research or web links you come across in this ever expanding discovery of the benefits of light and sound.

STAY TUNED!

Frequencies Destroying Cancer Cells!

My cousin Cindy sent me a link on Facebook that is just astounding. There is actually research being done today that is producing positive results in using frequencies to shatter various micro-organisms – chief among them Cancer. I want to share the YouTube link with you so you can see for yourselves the results. Flat out impressive!

https://www.youtube.com/watch?t=19&v=1w0_kazbb_U

Be sure and watch it and share it – this could possibly change the face of the medical world and the way we treat disease in the very near future.

Thanks Cindy for sending this my way. If any of you readers on this website come across any other information like this please share it with me. This is a team effort!

The 444 Hz Calibration vs. the 432 Hz Calibration!

I wanted to take a moment to address a subject that frequently comes to me in the form of one question or another. Many people are asking if it might not be better to use the 432 Hz calibration to tune with instead of the orchestral standard of 440 Hz. They go on to site many articles from the internet regarding the changing of the standardization in years past, and some include theories about why it was changed. I am not going to dwell on these theories nor list any sources for this understanding; there are many available online by using a Google search.

I do not question that the standardization was changed and I do not say that the 432 Hz crowd are all wrong, but I do want to give you a reason why I choose to go with the 444 Hz calibration for the A note. Actually a friend of mine told me one time when I asked him about the difference, that he believed that some people responded better to the 432 Hz calibration and some better to the 444 Hz. In fact he had his piano tuned to the 432 Hz calibration. So I think there is a value in exploring various approaches.

I have chosen to use the 444 Hz calibration because of the understanding I have come to out of the Hebrew text of the book of Numbers – Chapter 7 and Psalms 119. I have that teaching available on YouTube – https://www.youtube.com/watch?v=GqSf1L2dxUQ

Because I find these frequencies presented in the ancient scriptures, I have great confidence in them and their ability to affect our lives. The most important frequency that comes out of these 6 that are found in the scriptures is the 528 Hz or C note (if you use the 444 Hz calibration). Much study and experimentation have been done with this frequency – from Emoto’s work on healing water and frozen water crystal structures, to DNA repair by genetic researchers using this frequency; and others as well. The 528 Hz frequency has been given the name, “Miracle Frequency”, “Healing Frequency”, “Creative Frequency” and others reflecting its amazing qualities.

If you use the 432 Hz as your calibration, you do not achieve any of these scriptural frequencies in any of the harmonizing notes of the scale you would then produce. The notes produced are actually flat from the standardized tuning. In using the 444 Hz calibration the notes are slightly sharp. Interestingly, most professional singers naturally sing slightly sharp. I believe that this is another evidence that the 444 Hz calibration is more accurate because this seems to reflect that their DNA is actually telling them to sing sharp or into the 444 Hz area. Before I understood these frequencies, I would tune my harp sharp because it just sounded better to me. Now I know why.

I just want to say that I am not saying that I have the final indisputable answer to this issue. I am just as much on a journey of discovery as you all are. I may even change my position at some point down the road. I am just giving you the best information I have at this time. I want to encourage you all to continue to study this out. I believe that there is much more to learn here.

I want to thank you all for your interest and support and invite you to stay tuned (Pun Intended!) as we continue this journey. I also invite you to send me anything you may discover in the process. Until the next one…..Enjoy!

Harps of the Bible

I have been getting a lot of questions from readers on what type of harp is referred to in the Scriptures. Many who ask this question are focused on following the Scriptural model and want to make sure that if they are going to play a harp, they want it to be the right one. This is a really good question, but it requires a bit of explanation and it actually has several answers.

There are two words for harp in the Hebrew language. The first is Kinnor which is a smaller more personal instrument that has from 5 to 15 strings on which to play. A couple of the Psalms refer to the 10 string Kinnor, and that I believe has led many to believe that that is the truly Scriptural harp. Some call it the Davidic harp because it is believed that David played the 10 string Kinnor.

The Jewish Talmud even has a reference to the 10 string Kinnor returning just before Messiah comes; so many believe that unless a person is playing on a 10 string Kinnor, they are not playing a real biblical harp. I have had many   people ask me if I could make a Davidic harp, and I just completed one so I could demonstrate it to those who are interested.

IMG_20150520_193033010

The second word for harp in Hebrew is Nevel. It refers to a larger instrument that has a sound box. The number of strings placed on this model is not definite. I believe that David may have invented the Nevel because in 1 Chronicles it says he invented instruments for the priests to play in the temple and the word Nevel is used many times throughout the Psalms so David clearly knew what a Nevel was. There have been some archaeological finds recently that show pictures of a Nevel that date close to David’s time so I am convinced that He played a Nevel.

There are some who believe that a Nevel should have 22 strings so that there is one string for each letter of the Hebrew alphabet. In fact, Micah Harrari (House of Harrari)  makes such a harp with a Hebrew letter carved by each string. This allows a novice musician to play a song from the Hebrew text of any Psalm by just playing the string next to the letter that matches the letter that they are reading in the Psalm.

The reality is however that there is no mention in Scripture of how many strings a Nevel has. Further, there are only 7 notes to play before you get to the 8th note which is a repeat  of the first note, just an octave higher. So no matter if you have 22 strings or 33 strings, you are going to have the same notes – just the 33 string harp will have more octaves to play with for a greater range and selection.

Many readers ask which modern harp would be a good one to buy that is a good balance between having enough octaves and reasonable cost as well as portability. I have to say that I am particularly impressed with the Harpsicle made by William Rees in Indiana – USA  (go to www.harpsicle.com) This is a 26 string harp and you can get it with full sharping levers or partial. One called the Sharpsicle has enough levers for 4 different keys and cost about $600 plus shipping. I have one myself and it is a great starter harp with good sound – you can see me using it on the first 3 lessons on my youtube channel (see link below). It is also very good for traveling as it can fit into the overhead bin in the airplane and I have had no trouble taking it through the security check lines.

YouTube – Tuning the Harp

My all time favorite is the Voyager Harp that I make from a kit available from Music Makers in Minnesota. It is one of the best harps for the money that I have found and has 33 strings for great range and selection. It is also only 22 pounds so it is very easy to transport. My personal Voyager has been serving me well for over 9 years and has traveled around the US several times. I keep a sleeping bag over it so it doesn’t get too banged or scratched.

IMG_20150415_121936127_HDR

I recommend tuning your harp to the 528 hz for best sound and results. I explain how to tune to this in my lesson on tuning. Basically you will calibrate your electronic tuner to 444 hz instead of 440 hz. This will make your C note a 528 hz instead of 523 hz. All the other notes will harmonize just fine.

Playing the music of the Psalms can be performed on any of these instruments. There is a slightly different technique between the Nevel and the Kinnor. It may take a little time to get used to how the strings are laid out, but with a little time spent, you will soon be producing a pleasing sound. I hope my lessons on YouTube will be of use to you in the process.

I hope this will be helpful to some of you asking these questions of what harp to get and where to get it from. If you have any further questions do not hesitate to write and ask.

Happy Harping 🙂

Music Frequencies Decoded

On the Shabbat of January 10, 2015 I had the opportunity to share the teaching I have developed on the Music Frequencies found in the scriptures of Numbers 7:12-83 and how they apply to the Hebrew alphabet characters from Psalm 119. I have already posted an abbreviated version of this teaching on YouTube, but this teaching is more detailed and many are sharing it on Facebook, so I thought I would make it available to those who are following this website. It is a fascinating idea to think that we can bring music out of the Hebrew text of the Psalms and other passages and discover the relationships between the words and the sounds. This is how much of the music that I have available as samples on this site has come about. I am hoping some of you will join me in exploring the possibilities of this music with different instruments and approaches of interpretations of the chord progressions found within the Hebrew text.

Here is the link to the latest teaching:

https://www.youtube.com/watch?v=dPPqycxTz6w&feature=youtube_gdata_player

Please share with those you think might be interested in this understanding. Blessings.

Steve

Seeing Sound

 

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Seeing Sound

 

I was reading a post from a friend of mine in Jerusalem on his blog “Shoreshim of Old City” and found it very interesting. I have talked with Moshe, who is the owner of the Shoreshim Shop in the Jewish Quarter of Old Jerusalem about the work I am doing with the Psalms of David and the idea that there is a relationship between the Hebrew text and how the music might sound. This is what I have been pursuing for the past 8 years, and what I share on this website.

I believe that this article by Rabbi Chanan Morrison gives some more understanding from a biblical perspective to the ideas that I have been working on with the Music from the Psalms. The text he is referring to is actually Exodus 20:18 in the usual English translations:

“And all the people saw the thunderings, and the lightnings, and the noise of the trumpet, and the mountain smoking: and when the people saw it, they removed, and stood afar off.”

As you study the Hebrew words used in this text, you see a definite connection to the “seeing” of the sound that occurred that day among the Children of Israel as they stood at the base of Mt. Sinai and received the 10 commandments spoken by the voice of Elohim and written with the finger of YHVH on the tablets of stone that Moses carried up the mountain. I wonder what the blast of a shofar looked like!

I hope you appreciate this understanding and “see” a new way of experiencing the relationship between the words of YHVH and the sound of the music that comes from this understanding.

Blessings  –  Steve

 

 

 Seeing Sound

Canvas

by Rabbi Chanan Morrison

“And all the people saw the sounds …” (Ex. 20:15).

The Midrash calls our attention to an amazing aspect of the revelation at Sinai: the Jewish people were able to see what is normally only heard. What does this mean?

Standing near the Source

At their source, sound and sight are united. Only in our limited, physical world, in this alma deperuda (disjointed world), are these phenomena disconnected and detached. It is similar to our perception of lightning and thunder, which become increasingly separated from one another as the observer is more distanced from the source.

If we are bound and limited to the present, if we can only perceive the universe through the viewpoint of the temporal and the material, then we will always be aware of the divide between sight and sound. The prophetic vision at Mount Sinai, however, granted the people a unique perspective, as if they were standing near the source of Creation. From that vantage point, they were able to witness the underlying unity of the universe. They were able to see sounds and hear sights. God’s revelation at Sinai was registered by all their senses simultaneously, as a single, undivided perception.

(Gold from the Land of Israel p. 135. Adapted from Mo’adei HaRe’iyah, p. 491)

Copyright © 2006 by Chanan Morrison

 

 

 

 


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Music Releases a Mood Enhancing Chemical into the Brain

 

It’s been awhile since I posted an article so thanks for being patient with me. This article is very interesting and shows a measurable chemical response that our body can have to music. I believe it is one of many pieces of information that continue to show us how important music is to our health. I hope you are enjoying these posts – and feel free to send along any articles that you may find to my e-mail address: waterfallofgrace@hotmail.com

Blessings – Steve

9 January 2011 Last updated at 13:04 ET

Music ‘releases mood-enhancing chemical in the brain’

By Sonya McGilchrist Health reporter, BBC News

BrainScan

Researchers scanned volunteers’ brains with MRI and PET machines

Music releases a chemical in the brain that has a key role in setting good moods, a study has suggested.

The study, reported in Nature Neuroscience, found that the chemical was released at moments of peak enjoyment.

Researchers from McGill University in Montreal said it was the first time that the chemical – called dopamine – had been tested in response to music.

Dopamine increases in response to other stimuli such as food and money.

It is known to produce a feel-good state in response to certain tangible stimulants – from eating sweets to taking cocaine.

Dopamine is also associated with less tangible stimuli – such as being in love.

In this study, levels of dopamine were found to be up to 9% higher when volunteers were listening to music they enjoyed.

The report authors say it’s significant in proving that humans obtain pleasure from music – an abstract reward – that is comparable with the pleasure obtained from more basic biological stimuli.

Music psychologist, Dr Vicky Williamson from Goldsmiths College, University of London welcomed the paper. She said the research didn’t answer why music was so important to humans – but proved that it was.

“This paper shows that music is inextricably linked with our deepest reward systems.”

Musical ‘frisson’

The study involved scanning the brains of eight volunteers over three sessions, using two different types of scan.

This paper shows that music is inextricably linked with our deepest reward systems”

By Dr Vicky Williamson Goldsmiths College, University of London

The relatively small sample had been narrowed down from an initial group of 217 people.

This was because the participants had to experience “chills” consistently, to the same piece of music, without diminishing on multiple listening or in different environments.

A type of nuclear medicine imaging called a PET scan was used for two sessions. For one session, volunteers listened to music that they highly enjoyed and during the other, they listened to music that they were neutral about.

In the third session the music alternated between enjoyed and neutral, while a functional magnetic resonance imaging, or fMRI scan was made.

Data gathered from the two different types of scans was then analysed and researchers were able to estimate dopamine release.

Dopamine transmission was higher when the participants were listening to music they enjoyed.

Consistent chills

A key element of the study was to measure the release of dopamine, when the participants were feeling their highest emotional response to the music.

To achieve this, researchers marked when participants felt a shiver down the spine of the sort that many people feel in response to a favourite piece of music.

This “chill” or “musical frisson” pinpointed when the volunteers were feeling maxim pleasure.

The scans showed increased endogenous dopamine transmission when the participants felt a “chill”. Conversely, when they were listening to music which did not produce a “chill”, less dopamine was released.

What is dopamine?

Dopamine is a common neurotransmitter in the brain. It is released in response to rewarding human activity and is linked to reinforcement and motivation – these include activities that are biologically significant such as eating and sex

Dr Robert Zatorre said: “We needed to be sure that we could find people who experienced chills very consistently and reliably.

“That is because once we put them in the scanner, if they did not get chills then we would have nothing to measure.

“The other factor that was important is that we wanted to eliminate any potential confound from verbal associations, so we used only instrumental music.

“This also eliminated many of the original sample of people because the music they brought in that gave them chills had lyrics.”